Sondheim, Burton, Depp and Rickman’s “Pretty Women”

I tend to watch great movies with a considerable delay…, but then again, my feeling is that I get to appreciate them much more in this way, aside all the initial hype and the turmoil associated with a new release (an auxiliary gain is that I can discard– without having to go through the pain of actually watching them– a lot of movies which were released with high expectations, only to turn out total flops, hence really what remains is above average or, in the best case, excellent).  → Read more

Ah não ser eu toda a gente e toda a parte!

I’ve watched it most recently via this smart* video rental & online streaming service called Netflix : a true gem of a movie, albeit one of the most underrated cinematographic creations of the past decades (does not have a RottenTomatoes critics’ rating!  → Read more

A little blizzard. Treated with Tanya.

Will it beat the legendary 1967 one? My Lakeview Lake Shore apartment windows are shaking,  but so far holding up (they’d  better: in Chicago terms, I am paying a fortune for this place). Yes, somehow  I made it home; Evanston likely cut off from Chicago for the next couple of days, Northwestern closed for the time being.  → Read more

Des petits trous, des petits trous, toujours des petits trous…

I attended two excellent jazz events last week, jazz being one thing the Chicago music scene excels at (*).
The first was “Brazilian Nights” with Paulinho Garcia and some very talented NU jazz students, at the Regenstein Hall in the NU campus.  → Read more

Take 5 in 2011

Let us start this new year with a legendary jazz piece: Paul Desmond’s “Take Five”; recall first the original instrumental version, superbly interpreted here by The Dave Brubeck Quartet, exactly 5 decades ago. Once you’ve got the feeling, proceed to the vocal variant–with lyrics by Iola and Dave Brubeck– to capture the whole message; one of my favorite versions must be the very creative Dave Brubeck- Al Jarreau ’97 get-together, the first and likely the only time they performed on the same stage.  → Read more

Flawless: Kseniya

I have not seen anything more dramatic and powerful than this in the modern art world perhaps since Pink Floyd’s The Wall movie. This is a work of perfection, there is no single detail left to chance; for instance, obviously it could have only ended apocalyptically— on Apocalyptica’s version of Nothing Else Matters.  → Read more

Blog birthday. Senses. And jazz.

Born in the anonymity of the blogosphere 5 years ago, this weblog grew up a curious, motivated, and responsible toddler: its (no longer) secret ambition remained no less than saving the world– despite repeated trials of dissuasion by its author, who once foolishly pledged allegiance to the infusion of blogs about nothing→ Read more